#Gr 55 floorboard manual how to
I had a GR-30 and another earlier unit so I had some experience in how to use and set up the synth.įirst off, personally and many other high end users, love this unit.
#Gr 55 floorboard manual software
I purchased the next generation of the GR-55 which is the Black model and also loaded w the 1.5 software update.
But then I realize how limited I was before, and how much further I can go now, and I am OVER-JOYED at what the future brings with this little puppy!!!!!! I find myself wishing I had kept my old one at times, just because everything was setup just they way I wanted, and it took NO time to do so. This is not as tune and forget as the ones before. Having said that, expect a BIG learning curve. The things you can do are just insane, and will certainly put your band above the pack. In summary, the GR-55 is light years ahead of it's predecessors. This is backwards from the way you might normally expect, but with the GR-55 I can pull this off. Basically, I have the sound set to bite hard and loud when I finger pick, but back off when I use my pick and hit hard.
#Gr 55 floorboard manual Patch
I have a patch I sent up where I need the velocity of the 5th and 6th string to react completely different based on the sensitivity of how hard I hit the string. But with this complexity comes the ability to do some amazing configurations. I still find myself tweaking the settings depending on how much switch I am doing between finger picking and regular picking. It took me A LOT more time just to get my guitar to react the way I wanted it to with relation to sensitivity, velocity and nuance. Now, with cool new features and effectively four pedals in one (2 synths, 1 COSM modeler and 1 multi-effects unit), there is a bit more complexity to configuring everything. You want one synth pre effects and the other post so it does not route the reverb you have on the out, all while having your COSM guitar in a different tunning running before the reverb out? No problem. You can visually, through the onboard display, route everything exactly how you want it. Roland has also added a slew of effects including reverbs, flangers, delays, choruses, compressors, etc. But now I can actually play the acoustic model with the flute at one time now. I had to end up using the synth guitar with a nice clean channel for the acoustic. Stairway to Heaven (sorry, we are Live-Band Karaoke after all.) The acoustic sounds in the GR-20 were pretty much crap, but I wanted to be able to do the flute also. This was a pain, especially on a song like say. So I was left with a choice on songs, the Variax or the GR-20. It was always a pain when it came to using my Variax, because unless I mounted another GK-3 pickup on it, or paid to have it moded, I could not really use it with the GR-20. No longer do I need to worry about taking my Variax to deal with strange guitar sounds like banjos, ukuleles, sitars, and bringing my LP, Strat, Jackson and acoustic to a show. Not only do I have TWO fully programmable synth engines at my disposal now, but they have also added COSM modeling. I can create unique sounds now with TWO synth modeling engines at one time.īut Roland has taken things A LOT further with the GR-55. Roland has finally heard their users and given them pretty much COMPLETE autonomy on the way their sounds are tweaked, triggered and even the routing paths. No I know that Roland has offered the GR-30 and GR-33 that gave you this ability, but that was just one limitation. An example would be the need to deactivate the strings sample sound on my 5th and 6th guitar strings. First and foremost was the limitations of configurable parameters of the GR-20. With the GR20, we were able to play the parts of 5 of 6 people with a 4 piece band. While we were the only band at first to do this concept here, others have followed suit, but with no real success, and I genuinely believe that the GR-20 has been the reason. and the GR-20 has definitely been something that has been able to set us apart from the pack. I play in a Live-Band Karaoke band down in San Antonio, Tx. As an avid user on the GR-20, I was excited to see what new levels of sound I could achieve with this new offering. So I recently moved up from Rolands GR-20 Guitar Synth pedal system to the GR-55 recently released from Roland.
0 kommentar(er)
